Focus on symbolic play and imagination

Anne Delannoy

Speech therapist and doctoral student in neuroscience

Focus on symbolic play and imagination

Symbolic play, or "pretend play", appears gradually and plays an important role in a child's development. It develops alongside the imaginary. Make-believe", "symbolic play", "role play" and "fantasy play" are all terms used to refer to the same thing. In this dossier, the terms "make-believe" and "symbolic play" will be used interchangeably.

Definition of make-believe

In symbolic play, reference is often made to différents aspects: "the agent", "the instrument" and "the schema".3

The agent

the subject (animate or inanimate) who produces the ac on

The instrument

the object(s) used to perform the ac on

Schema

the observable result/ac on/play that the child produces

The Exploration Game

There are different types and forms of play. Children's play begins around 3 months of age, and starts with exploratory play in all its forms. At first, the child discovers his environment at all levels1 : visual, auditory and tactile. There are several types of explora on in babies: bodily explora on, object explora on and vocal explora on.

The limits of movement possible in young children, and their lack of coordination, mean that they are primarily in the process of discovering their senses. Indeed, a 2-3-month-old baby is looking for sensory input, s mulating his perceptual system by generating noises or sensa ons. For example, a baby lying on his tummy scratching a surface, alternately opening and closing his hands, generates sensory input (noise and tactile feedback) through his motor movements, which his brain will process, i.e. analyze and interpret. With several repetitions on several surfaces, the baby explores his environment and generates a catalog of stimuli relating to his environment and with the object.

The exploration of objects begins with the arrival of hand-eye coordination; at around 3-4 months, the baby begins to pick up light objects (such as a rattle), and tries to manipulate them. At first, the child's movements lack stability, so he may accidentally hit himself with a rattle. As his coordination improves, he can grasp an object in one hand, shake it, bring it to his mouth (around 5/6 months), tap it, and transfer it from one hand to the other (around 7 months). This discovery of the environment occurs through repetition. Babies love doing an ac on and repeating it several times with the same object or with other objects2. This enables the child to : Learn cause-to-effet, i.e., a specific ac on will generate a specific result, for example: "I wave my arm, the rattle moves and makes noise" or "I press a button and there's a noise".

Acquire object-related knowledge:

Babies love to put objects in their mouths; the mouth is a highly-developed sensory receptor zone in children. Children use this sensory influx to discover the properties of the object in question: its texture, shape, hardness, malleability, taste and weight.

Bodily explora on, i.e. the discovery of one's own body, also begins around 2-3 months3. At first, the child discovers his hands by moving his fingers in front of him (3 months), then his face (4 months) by bringing his hands to his face, then his feet and knees (5-6 months), by trying to scrape them; then comes the discovery of his hair and thighs by scraping them (9 months); between 10-12 months the child has better motor skills and discovers his whole body as well as his genital par es.

Vocal explora on, the act of playing with the voice, is a prerequisite for language acquisition. Newborns vocalize only through vegetative sounds (cries, cries, gurgles). These sounds reflect the infant's physiological needs, through changes in pressure in the buccal and pharyngeal spheres. Between 2 and 6 months, the child begins to engage in vocal play, exploring and discovering its voice. The child will play with his or her voice, changing intensity (volume), increasing duration, and changing pitch (higher or lower). At first, these are "arrheu" and "agueu" sounds, which gradually diversify with the arrival of consonants. At this point, we're no longer talking about play, but about language and communica on.

Definition

Exploration game
The child explores his or her environment by manipulating objects, and this gives the child information about objects or concepts (e.g. size, shape, taste, hardness, etc.).
Imitation game
The child is in limitation of the adult or of another child. It's the imitation of an ac on and the repetition of this action.
Functional set
The child copies and uses an object in accordance with its characteristics and its use (e.g., I use a hat).

The Imitation Game

Imagination and pretence carry many emotional elements. Indeed, by pretending, children reproduce events from their daily lives that are charged with affect, whether positive or negative. By reproducing these events in their play, children learn to manage their emotions. By "reliving" his emotions whenever he wishes, by "acting out" a scene from his life, the child is able to understand the feelings he has had, verbalize his emotions and evacuate his latent emotional charge. The more children are able to introduce emotions and feelings into their symbolic play, the more they will be able to tame, recognize and understand them, and gradually seek to master them. Through play, the child explores different feelings in relation to a situation, and is not subject to adult judgment.

Highly sensitive children are often highly imaginative, as emotionality cultivates this imagination and, in association with language, enables the child to think more imaginatively.

An example

A child who pretends that a ssu book is his baby's comforter is the "pretender" (A).

The underlying reality is that a baby has a comforter (B).

The mental representation is that the book in ssu

"becomes" a comforter for the simulator's "baby" (C).

The child (the simulator) projects the representa on of the comforter onto the ssu book, giving it to the "baby" (D).

The child engaged in pretending is aware that the "doudou" is actually a ssu book and knows the difference between a book and a doudou, but uses the similarity, the ssu aspect, to a rib a "doudou" symbolism (E).

The child (the "pretender") is ac f, and if he moves, he does so in accordance with the evoked scenario (F). Pretending is a conscious ac vity, produced with intentionality. The child is aware of reality and of the pretence in which he is engaged.

Conclusion

In short, play enables children to discover the world, experiment with new things, learn, consolidate their knowledge, develop their identity, socialize and have fun. Playing promotes brain development, as it creates more neuronal connections. That's why it's so important to play with your children, and to diversifier the types of play (ac f play, imaginary play, explora on play, role play, rowdy play). As a result, it's strongly encouraged to take every possible opportunity to engage in free play with children of all ages, adapting to their needs and abilities. After all, even adults love to play!

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